In the East, devotion to Mary blossomed in the sixth century under official patronage and imperial promotion at the Court of Constantinople. The popularity of Mary as an individual object of devotion, however, only began in the fifth century with the appearance of apocryphal versions of her life, interest in her relics, and the first churches dedicated to her name, for example, S. Maria Maggiore in Rome. A sign that the process was slower in Rome is provided by the incident during the visit of Pope Agapetus to Constantinople in 536, when he was upbraided for opposing the veneration of the theotokos and refusing to allow her icons to be displayed in Roman churches. Early seventh-century examples of new Marian dedications in Rome are the dedication in 609 of the pagan Pantheon as Santa Maria ad Martyres, "Holy Mary and the Martyrs", and the re-dedication of the early Christian titulus Julii et Calixtii, one of the oldest Roman churches, as Santa Maria in Trastevere. The earliest Marian feasts were introduced into the Roman liturgical calendar by Pope Sergius I (687-701).

Early representations of Mary show her as the "Throne of Heaven" with Mary and the Child Jesus both royally crowned with Byzantine diadems. She was further identified with the Bride in the Old Testament Song of Solomon, by such noted theologians as St. Bernard of Clairvaux. She became the prototype for the Church itself. During the Middle Ages, and especially in France, the great Cathedrals were thus named for Mary. The Marian Rosary was popularized by the followers of St. Dominic.
 
Coronation of the Virgin by Fra Angelico, 1434The image of Mary as Queen was softened somewhat by Mary as Mother of the Child Jesus. St. Francis of Assisi popularized the image of the Nativity scene using live animals. This representation of the helpless Jesus suckled by his mother brought Christmas into the hearts and homes of the people. And, as journeys to the Holy Land became difficult, Mary's role in the Passion story became part of the popular Stations of the Cross as the Mother of the suffering Jesus. During the great plagues such as the Black Death, Mary became greatly popular as a compassionate intercessor and protector of mankind against the just judgment of God.

Devotion to the Virgin Mary as the "new Eve" lent much to the status of women during the Middle Ages. Women who had been looked down upon as daughters of Eve (first woman), came to be looked upon as objects of veneration and inspiration. The veneration of Mary both as woman and prototype of the Church was greatly responsible for transforming the Germanic Warrior code into the Code of Chivalry. This reinterpretation of women flowered in the Courtly Love poetry of Medieval and Renaissance France. Mary, as the original "vessel of Christ" may have also influenced the legends of the Holy Grail. Her selflessness, obedience and virginal humility were reinterpreted in the literary figure of Sir Galahad, finder of the Grail.

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